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[00:00:00] Speaker A: What is it about this gentleman that, you know, you just have to, you know, let him slay you?
[00:00:06] Speaker B: You want to feel his muscles or the muscles?
[00:00:09] Speaker A: The muscles.
[00:00:10] Speaker B: The muscles. And the French accent profile right here. This one.
[00:00:25] Speaker A: Hey, this is Kiss and Tell with Javi Mack.
[00:00:27] Speaker C: I'm here with Manuel Ferreira.
[00:00:29] Speaker A: Yes.
[00:00:30] Speaker B: Kaden Cross.
[00:00:31] Speaker A: How's it going? Y'all? Good?
[00:00:32] Speaker C: And you? It's fine.
[00:00:34] Speaker A: It's good. So you've been in the industry for a long time? You've been.
[00:00:37] Speaker C: Long time. You've been slaying it down forever, Ever?
[00:00:42] Speaker A: Forever, Ever.
[00:00:43] Speaker C: Forever, Ever.
[00:00:44] Speaker A: Forever, ever. And how long have you been in the industry?
[00:00:47] Speaker B: About that long.
[00:00:49] Speaker A: About that. Not forever.
[00:00:51] Speaker B: There's one less ever somewhere.
[00:00:53] Speaker A: One less ever.
[00:00:54] Speaker B: Yeah.
[00:00:54] Speaker A: Okay. And what is it about this gentleman that, you know, you just have to, you know, let him slay you?
[00:01:01] Speaker B: You want to feel his muscles or the muscle talk?
[00:01:05] Speaker A: It's the muscles.
[00:01:06] Speaker B: The muscles. And the French accent profile right here. That's one of my favorite things.
[00:01:11] Speaker A: Oh, the profile.
And you watch his scenes as well?
[00:01:15] Speaker B: Well, I direct his scenes sometimes.
[00:01:17] Speaker A: You direct?
[00:01:17] Speaker B: Yeah.
[00:01:18] Speaker A: Oh, nice. You direct the scenes. That's great. And what. How do you direct this guy? He's a pro. He just, you know, directs himself almost.
[00:01:25] Speaker B: I tell him to let me stay behind the camera and watch. Sometimes he kicks me out of the room once.
[00:01:30] Speaker A: Really? Is that true?
[00:01:32] Speaker C: Yes, sometimes. Yes.
I know what I'm doing. I don't need a director.
[00:01:38] Speaker A: So are you. Do you try to direct him, but you're mostly directing the female talent?
[00:01:42] Speaker B: Well, he knows what I'm looking for. He always gives it each other for long?
[00:01:46] Speaker A: Yeah. And you're a couple, right? You're together, you're married.
[00:01:50] Speaker C: Wow, that face.
[00:01:51] Speaker B: She said long time.
[00:01:55] Speaker A: I imagine you're directing him. He's. He's having sex with a woman and then he kicks. Kicks you out? Yeah.
[00:02:01] Speaker C: No, no, the.
[00:02:02] Speaker B: The real Tommy's like, what's for dinner?
[00:02:04] Speaker C: No, no. Yeah, yeah. No, no. The real reason is it can sometimes make the other of the female performer uncomfortable that my wife is present. Right. So it's more to try to preserve the like.
[00:02:17] Speaker B: Yeah. It feels like it's making her nervous.
[00:02:19] Speaker C: Yeah, sometimes. Or I've had girls telling me like, oh, it's not easy. Your wife is here. You know, not that there is any extra things to it. It's just, you know, being able to focus on just the performer.
[00:02:34] Speaker A: That makes sense.
[00:02:35] Speaker B: Yeah.
[00:02:36] Speaker A: How do you like the scene? Do you like it when there's, you know, it's all the camera people or you like it when it's just a very small, small scene.
[00:02:44] Speaker C: I really have tunnel vision. So it doesn't matter if there is two people or ten people around me. When it's time to do the scene, I'm only seeing the person in front of me and not the people around, you know?
[00:02:56] Speaker A: Smart. That's smart. And how do you direct.
[00:02:58] Speaker B: What's some secrets to direct eye contact and tell them to make their chest rise and fall a lot so you can see the heavy breathing.
So connection.
[00:03:09] Speaker A: Chest rise and fall.
[00:03:10] Speaker C: So she writes a lot of, like, dialogue for movies where there's tension between a man and a woman or different people and like the reaction. Sometimes you don't need to add words to it. Sometimes a heavy breathing talks a lot more than saying, oh, I'm nervous, you know what I mean?
Or create tension.
[00:03:30] Speaker A: You know, I like it. And where do you want people to find your content?
[00:03:34] Speaker B: Man on deeper.com.
[00:03:36] Speaker A: Nice. Awesome.
[00:03:37] Speaker C: Well, you can find me on deeper.com too.
[00:03:39] Speaker A: He's there and I'm. This is. Yeah, a couple scenes there. Yeah. This is Kiss with Jav M. Thanks for watching.
[00:03:46] Speaker B: Thank you.
[00:03:48] Speaker A: Appreciate it.